Difference between revisions of "Paiste 2002 15" Sound Edge Hi-Hat"
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| − | [[File:Paiste 2002 15 Sound Edge Hi-Hat 1.jpg|thumb|right| | + | [[File:Paiste 2002 15 Sound Edge Hi-Hat 1.jpg|thumb|right|450px|2002 15" Sound Edge Hi-Hat]] |
| − | [[File:Paiste 2002 15 Sound Edge Hi-Hat 2.jpg|thumb|right| | + | [[File:Paiste 2002 15 Sound Edge Hi-Hat 2.jpg|thumb|right|450px|2002 15" Sound Edge Hi-Hat]] |
'''Group:''' [[Paiste Cymbal Type#Hi-Hats|Hi-Hats]]<br> | '''Group:''' [[Paiste Cymbal Type#Hi-Hats|Hi-Hats]]<br> | ||
'''Type:''' [[Paiste Sound_Edge_Hi-Hat|Sound Edge Hi-Hat]]<br> | '''Type:''' [[Paiste Sound_Edge_Hi-Hat|Sound Edge Hi-Hat]]<br> | ||
'''Size:''' 15 Inch<br> | '''Size:''' 15 Inch<br> | ||
'''Series:''' [[Paiste 2002#2002|2002]]<br> | '''Series:''' [[Paiste 2002#2002|2002]]<br> | ||
| − | '''Weight:''' Top: 1123g / Bottom: 1251g (Red Label) | + | {| cellspacing=0 cellpadding=2 |
| − | :: Top: 1127g / Bottom: 1260g (Red Label) <br> | + | | '''Weight:''' || Top: 1107g / Bottom: 1051g (1974 Serial Numbers) |
| + | |- | ||
| + | | || Top: 1114g / Bottom: 1257g (2023 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1123g / Bottom: 1251g (Red Label) | ||
| + | |- | ||
| + | | || Top: 1124g / Bottom: 1250g (1974 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1127g / Bottom: 1260g (Red Label) | ||
| + | |- | ||
| + | | || Top: 1129g / Bottom: 1239g (2023 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1132g / Bottom: 1260g (2021 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1135g / Bottom: 1256g (2009 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1142g / Bottom: 1246g (2022 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1148g / Bottom: 1254g (1975 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1152g / Bottom: 1256g (2007 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1153g / Bottom: 1253g (2014 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1167g / Bottom: 1106g (1975 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1172g / Bottom: 1200g (1979 Serial Numbers) | ||
| + | |- | ||
| + | | || Top: 1172g / Bottom: 1272g (2003 Serial Numbers) | ||
| + | |- | ||
| + | |} | ||
| + | '''Median Weight:''' Top: 1135g (n=15) / Bottom: 1252g (n=15)<br> | ||
| + | '''Weight table:''' [[Paiste_WT_2002_Hi-Hats#15"|<<< - >>>]]<br> | ||
'''Years of production:''' [[Paiste 1971 Expansion|1971]] - Present<br> | '''Years of production:''' [[Paiste 1971 Expansion|1971]] - Present<br> | ||
| − | '''Sound | + | '''Sound files:''' [https://www.youtube.com/watch?v=_FTYrn8Z0RM 2002 15" Sound Edge Hi-Hat] / |
| − | [https://www.youtube.com/watch?v=vTa3x7aC1NE 2002 15" Sound Edge Hi-Hat] | + | [https://www.youtube.com/watch?v=vTa3x7aC1NE 2002 15" Sound Edge Hi-Hat] / |
| − | [https://www.youtube.com/watch?v=QhjmMv0x70w 2002 15" Sound Edge Hi-Hat] | + | [https://www.youtube.com/watch?v=QhjmMv0x70w 2002 15" Sound Edge Hi-Hat] / |
| − | [https://www.youtube.com/watch?v=0baVbEKjDaQ 2002 15" Sound Edge Hi-Hat] | + | [https://www.youtube.com/watch?v=0baVbEKjDaQ 2002 15" Sound Edge Hi-Hat] / |
| − | [https://www.youtube.com/watch?v=O6uNfbPwts4 2002 15" Sound Edge Hi-Hat] | + | [https://www.youtube.com/watch?v=O6uNfbPwts4 2002 15" Sound Edge Hi-Hat] / |
| − | [https://www.youtube.com/watch?v=priWDziKbRM 2002 15" Sound Edge Hi-Hat]<br> | + | [https://www.youtube.com/watch?v=priWDziKbRM 2002 15" Sound Edge Hi-Hat] / |
| + | [https://youtu.be/yCwh-ab18ZQ 2002 15" Sound Edge Hi-Hat Reflector Finish] / | ||
| + | [https://youtu.be/EDAHAmtIBvY?si=Hs98_OY6Gzg-sgb9 2002 15" Sound Edge Hi-Hat] / | ||
| + | [https://youtu.be/ustIu_SbHpM?si=yRNqDXEtnx4owFfw 2002 15" Sound Edge Hi-Hat] / | ||
| + | [https://youtu.be/XdboG24ik5Q?si=eVW3OAuT7b4SrhEQ 2002 15" Sound Edge Hi-Hat]<br> | ||
'''Paiste's Description:''' [[Paiste Sound_Edge_Hi-Hat#2002|<<< - >>>]]<br> | '''Paiste's Description:''' [[Paiste Sound_Edge_Hi-Hat#2002|<<< - >>>]]<br> | ||
| − | '''Review:''' Very articulate and bright. Sharp chick, sizzling, fast open wash that roars as well. It has very good sticking qualities as well.<br> | + | '''Review:''' Very articulate and bright. Sharp chick, sizzling, fast open wash that roars as well. It has very good sticking qualities as well. <br> |
| − | Review written by go3tz<br> | + | |
| + | :Review written by go3tz<br> | ||
| + | |||
'''Review:''' I still have a pair of 2002 14" SE hats from 17 years ago, and I've never sold them b/c they are so wonderful. Problem is, there is a hair-line crack in the top one, so I retired them and got the Bosphorus pair a couple of years ago. The Bosphorus hats were very nice, but I wanted a larger, fatter, more full sound from my hats. Mission accomplished w/ the 15" SE. I feel like my hat-driven grooves were bigger sounding, and I didn't have to lay into them at all...they definitely do the work for you. The 15s are a little darker then the 14s, but they are also more "present" due to their size. I personally think that the 2002 Sound Edge hi hats might be some of the best cymbals ever made by any company, period. My 14" pair are still playable and I think I'll use those and the 15" pair for recording and playing live forever.<br> | '''Review:''' I still have a pair of 2002 14" SE hats from 17 years ago, and I've never sold them b/c they are so wonderful. Problem is, there is a hair-line crack in the top one, so I retired them and got the Bosphorus pair a couple of years ago. The Bosphorus hats were very nice, but I wanted a larger, fatter, more full sound from my hats. Mission accomplished w/ the 15" SE. I feel like my hat-driven grooves were bigger sounding, and I didn't have to lay into them at all...they definitely do the work for you. The 15s are a little darker then the 14s, but they are also more "present" due to their size. I personally think that the 2002 Sound Edge hi hats might be some of the best cymbals ever made by any company, period. My 14" pair are still playable and I think I'll use those and the 15" pair for recording and playing live forever.<br> | ||
| − | Review written by almamadre<br> | + | |
| + | :Review written by almamadre<br> | ||
| + | |||
'''Review:''' Curiously articulate for a 15" hi-hat, 15" surface gives you few different closed hi-hat sound options as you move towards the bell the stick sound gets drier and moving toward the edge stick sound gets larger. The spread of stick sound also varies considerably with the foot pedal pressure. So with combining pressure level and playing surface you'll have variety of colours in your disposal with just 1 (one) hi-hat! As for the open hi-hat sound, it is a gift from god really , huge sizzly bright wash which can be brought out with just little force really. This is what makes this one a versatile hihat it can function in both loud and quite parts. Furthermore the chick sound is just has its own league, big bright powerful. I've just recorded the drum parts for a song of ours and it came out fantastic! No processing is needed, great sound both live and recorded.<br> | '''Review:''' Curiously articulate for a 15" hi-hat, 15" surface gives you few different closed hi-hat sound options as you move towards the bell the stick sound gets drier and moving toward the edge stick sound gets larger. The spread of stick sound also varies considerably with the foot pedal pressure. So with combining pressure level and playing surface you'll have variety of colours in your disposal with just 1 (one) hi-hat! As for the open hi-hat sound, it is a gift from god really , huge sizzly bright wash which can be brought out with just little force really. This is what makes this one a versatile hihat it can function in both loud and quite parts. Furthermore the chick sound is just has its own league, big bright powerful. I've just recorded the drum parts for a song of ours and it came out fantastic! No processing is needed, great sound both live and recorded.<br> | ||
| − | Review written by Cem KIBRISLI (ckibrisli)<br> | + | |
| + | :Review written by Cem KIBRISLI (ckibrisli)<br> | ||
| + | |||
'''Review:''' John Bonham played these for a reason. I don’t think I need to add much more than that. <br/>Oh go on then. In case you hadn’t already realised I’m a fan of large cymbals. I find they have just that much more character. And this is certainly the case with these. They go beyond just a timekeeper with a chick and turn into instruments with a wealth of sound all of their own. <br/>That sound edge bottom is fantastic. The chick on these is bright but lower pitched enough to not take your eardrums out. <br/>Played tight closed they are as articulate as its possible to get. <br/>Played half open that articulation is there but these are ROARING along. This is when you really start to rock out and bob your head. Man, you are now officially grooving and you are in command of the song! <br/>Played wide open the crisp nature of these hats hits you like a brick in the face. The volume is loud, they’re roaring like the bastard offspring of a Siberian tiger and a V8 yet with every stroke this razor sharp crispness slices across the soundstage like a scalpel. Its mouth watering stuff. <br/>These were built for hard rock. They’ll fit in pretty much any genre but hard rock is where they are just perfect. <br/>Like I said, John Bonham played these for a reason.<br> | '''Review:''' John Bonham played these for a reason. I don’t think I need to add much more than that. <br/>Oh go on then. In case you hadn’t already realised I’m a fan of large cymbals. I find they have just that much more character. And this is certainly the case with these. They go beyond just a timekeeper with a chick and turn into instruments with a wealth of sound all of their own. <br/>That sound edge bottom is fantastic. The chick on these is bright but lower pitched enough to not take your eardrums out. <br/>Played tight closed they are as articulate as its possible to get. <br/>Played half open that articulation is there but these are ROARING along. This is when you really start to rock out and bob your head. Man, you are now officially grooving and you are in command of the song! <br/>Played wide open the crisp nature of these hats hits you like a brick in the face. The volume is loud, they’re roaring like the bastard offspring of a Siberian tiger and a V8 yet with every stroke this razor sharp crispness slices across the soundstage like a scalpel. Its mouth watering stuff. <br/>These were built for hard rock. They’ll fit in pretty much any genre but hard rock is where they are just perfect. <br/>Like I said, John Bonham played these for a reason.<br> | ||
| − | Review written by Stuffed Chimp<br> | + | :Review written by Stuffed Chimp<br> |
| − | '''Artist/song where it can be heard:''' [[Paiste Airto#Airto|Airto]], [[ | + | '''Artist/song where it can be heard:''' [[Paiste Airto#Airto|Airto]], [[Carmine Appice#Paiste|Carmine Appice]], [[Paiste Rod De'Ath#Rod De'Ath|Rod De'Ath]], [[Paiste Peter Backhausen#Peter Backhausen|Peter Backhausen]], [[Paiste Barriemore Barlow#Barriemore Barlow|Barriemore Barlow]], [[Paiste Frank Beard#Frank Beard|Frank Beard]], [[Paiste Francisco Belenguer#Francisco Belenguer|Francisco Belenguer]], [[Paiste Charlie Benante#Charlie Benante|Charlie Benante]], [[Paiste Alvino Bennett#Alvino Bennett|Alvino Bennett]], [[Paiste Laurie Bennett#Laurie Bennett|Laurie Bennett]], [[Paiste Steve Berrios#Steve Berrios|Steve Berrios]], [[Paiste Hartwig Biereichel#Hartwig Biereichel|Hartwig Biereichel]], [[Paiste Brant Bjork#Brant Bjork|Brant Bjork]], [[Art Blakey#Paiste|Art Blakey]], [[Paiste John Bonham#John Bonham|John Bonham]], [[Paiste Paul Bostaph#Paul Bostaph|Paul Bostaph]], [[Paiste Rick Buckler#Rick Buckler|Rick Buckler]], [[Paiste Clive Bunker#Clive Bunker|Clive Bunker]], [[Paiste Jimmy Bower#Jimmy Bower|Jimmy Bower]], [[Paiste George E. Brown#George E. Brown|George E. Brown]], [[Paiste Bill Bruford#Bill Bruford|Bill Bruford]], [[Paiste Matt Byrne#Matt Byrne|Matt Byrne]], [[Paiste Rune Carlsson#Rune Carlsson|Rune Carlsson]], [[Paiste Scott Carneghi#Scott Carneghi|Scott Carneghi]], [[Paiste Jim Chapin#Jim Chapin|Jim Chapin]], [[Phil Collins#Paiste|Phil Collins]], [[Paiste John Coghlan#John Coghlan|John Coghlan]], [[Paiste Tom Compton#Tom Compton|Tom Compton]], [[Paiste Brian Davison#Brian Davison|Brian Davison]], [[Paiste Graham Deakin#Graham Deakin|Graham Deakin]], [[Paiste Jimmy DeGrasso#Jimmy DeGrasso|Jimmy DeGrasso]], [[Paiste Michael Derosier#Michael Derosier|Michael Derosier]], [[Paiste Düde Dürst#Düde Dürst|Düde Dürst]], [[Paiste Joe English#Joe English|Joe English]], [[Mick Fleetwood#Paiste|Mick Fleetwood]], [[Al Foster#Paiste|Al Foster]], [[Paiste Sonny Freeman#Sonny Freeman|Sonny Freeman]], [[Josh Freese#Paiste|Josh Freese]], [[Paiste Ringo Funk#Ringo Funk|Ringo Funk]], [[Paiste Bruce Gary#Bruce Gary|Bruce Gary]], [[Paiste Jean-Pierre Guichard#Jean-Pierre Guichard|Jean-Pierre Guichard]], [[Paiste Beaver Harris#Beaver Harris|Beaver Harris]], [[Paiste Zach Hill#Zach Hill|Zach Hill]], [[Paiste Jon Hiseman#Jon Hiseman|Jon Hiseman]], [[Paiste Ronald Howden#Ronald Howden|Ronald Howden]], [[Paiste Joseph Jarman#Joseph Jarman|Joseph Jarman]], [[Paiste George Johnson Jr.#George Johnson Jr.|George Johnson Jr.]], [[Paiste Russ Kunkel#Russ Kunkel|Russ Kunkel]], [[Paiste Abe Laboriel Jr#Abe Laboriel Jr|Abe Laboriel Jr]], [[Paiste Matt Laug#Matt Laug|Matt Laug]], [[Paiste David Lauser#David Lauser|David Lauser]], [[James Levi]], [[Udo Lindenberg]], [[Miguel Angel Lizandra]], [[Paiste Dave Lombardo#Dave Lombardo|Dave Lombardo]], [[Paiste Nick Mason#Nick Mason|Nick Mason]], [[Flavio Mezzodi]], [[Angel Montesinos]], [[Paiste Heinz Niemeyer#Heinz Niemeyer|Heinz Niemeyer]], [[Paiste Mani Neumeier#Mani Neumeier|Mani Neumeier]], [[Paiste Ian Paice#Ian Paice|Ian Paice]], [[Paiste Carl Palmer#Carl Palmer|Carl Palmer]], [[Paiste Andy Parker#Andy Parker|Andy Parker]], [[Paiste Prairie Prince#Prairie Prince|Prairie Prince]], [[Herman Rarebell]], [[Paiste Bobby Rondinelli#Bobby Rondinelli|Bobby Rondinelli]], [[Allen Shellenberger]], [[Peter Schmidlin]], [[Michael Shrieve#Paiste|Michael Shrieve]], [[Mikko Siren]], [[Chris Slade]], [[Paiste Claudio Slon#Claudio Slon|Claudio Slon]], [[Chad Smith#Paiste|Chad Smith]], [[David Teegarden]], [[Woody "Sonship" Theus]], [[Chester Thompson#Paiste|Chester Thompson]], [[Paul Thompson#Paiste|Paul Thompson]], [[Brian Tichy]], [[Franklin Vanderbilt]], [[Paiste Alex Van Halen#Alex Van Halen|Alex Van Halen]], [[Paiste Edward Vesala#Edward Vesala|Edward Vesala]], [[John Ward]] |
Latest revision as of 06:33, 10 February 2026
Group: Hi-Hats
Type: Sound Edge Hi-Hat
Size: 15 Inch
Series: 2002
| Weight: | Top: 1107g / Bottom: 1051g (1974 Serial Numbers) |
| Top: 1114g / Bottom: 1257g (2023 Serial Numbers) | |
| Top: 1123g / Bottom: 1251g (Red Label) | |
| Top: 1124g / Bottom: 1250g (1974 Serial Numbers) | |
| Top: 1127g / Bottom: 1260g (Red Label) | |
| Top: 1129g / Bottom: 1239g (2023 Serial Numbers) | |
| Top: 1132g / Bottom: 1260g (2021 Serial Numbers) | |
| Top: 1135g / Bottom: 1256g (2009 Serial Numbers) | |
| Top: 1142g / Bottom: 1246g (2022 Serial Numbers) | |
| Top: 1148g / Bottom: 1254g (1975 Serial Numbers) | |
| Top: 1152g / Bottom: 1256g (2007 Serial Numbers) | |
| Top: 1153g / Bottom: 1253g (2014 Serial Numbers) | |
| Top: 1167g / Bottom: 1106g (1975 Serial Numbers) | |
| Top: 1172g / Bottom: 1200g (1979 Serial Numbers) | |
| Top: 1172g / Bottom: 1272g (2003 Serial Numbers) |
Median Weight: Top: 1135g (n=15) / Bottom: 1252g (n=15)
Weight table: <<< - >>>
Years of production: 1971 - Present
Sound files: 2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat Reflector Finish /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat /
2002 15" Sound Edge Hi-Hat
Paiste's Description: <<< - >>>
Review: Very articulate and bright. Sharp chick, sizzling, fast open wash that roars as well. It has very good sticking qualities as well.
- Review written by go3tz
Review: I still have a pair of 2002 14" SE hats from 17 years ago, and I've never sold them b/c they are so wonderful. Problem is, there is a hair-line crack in the top one, so I retired them and got the Bosphorus pair a couple of years ago. The Bosphorus hats were very nice, but I wanted a larger, fatter, more full sound from my hats. Mission accomplished w/ the 15" SE. I feel like my hat-driven grooves were bigger sounding, and I didn't have to lay into them at all...they definitely do the work for you. The 15s are a little darker then the 14s, but they are also more "present" due to their size. I personally think that the 2002 Sound Edge hi hats might be some of the best cymbals ever made by any company, period. My 14" pair are still playable and I think I'll use those and the 15" pair for recording and playing live forever.
- Review written by almamadre
Review: Curiously articulate for a 15" hi-hat, 15" surface gives you few different closed hi-hat sound options as you move towards the bell the stick sound gets drier and moving toward the edge stick sound gets larger. The spread of stick sound also varies considerably with the foot pedal pressure. So with combining pressure level and playing surface you'll have variety of colours in your disposal with just 1 (one) hi-hat! As for the open hi-hat sound, it is a gift from god really , huge sizzly bright wash which can be brought out with just little force really. This is what makes this one a versatile hihat it can function in both loud and quite parts. Furthermore the chick sound is just has its own league, big bright powerful. I've just recorded the drum parts for a song of ours and it came out fantastic! No processing is needed, great sound both live and recorded.
- Review written by Cem KIBRISLI (ckibrisli)
Review: John Bonham played these for a reason. I don’t think I need to add much more than that.
Oh go on then. In case you hadn’t already realised I’m a fan of large cymbals. I find they have just that much more character. And this is certainly the case with these. They go beyond just a timekeeper with a chick and turn into instruments with a wealth of sound all of their own.
That sound edge bottom is fantastic. The chick on these is bright but lower pitched enough to not take your eardrums out.
Played tight closed they are as articulate as its possible to get.
Played half open that articulation is there but these are ROARING along. This is when you really start to rock out and bob your head. Man, you are now officially grooving and you are in command of the song!
Played wide open the crisp nature of these hats hits you like a brick in the face. The volume is loud, they’re roaring like the bastard offspring of a Siberian tiger and a V8 yet with every stroke this razor sharp crispness slices across the soundstage like a scalpel. Its mouth watering stuff.
These were built for hard rock. They’ll fit in pretty much any genre but hard rock is where they are just perfect.
Like I said, John Bonham played these for a reason.
- Review written by Stuffed Chimp
Artist/song where it can be heard: Airto, Carmine Appice, Rod De'Ath, Peter Backhausen, Barriemore Barlow, Frank Beard, Francisco Belenguer, Charlie Benante, Alvino Bennett, Laurie Bennett, Steve Berrios, Hartwig Biereichel, Brant Bjork, Art Blakey, John Bonham, Paul Bostaph, Rick Buckler, Clive Bunker, Jimmy Bower, George E. Brown, Bill Bruford, Matt Byrne, Rune Carlsson, Scott Carneghi, Jim Chapin, Phil Collins, John Coghlan, Tom Compton, Brian Davison, Graham Deakin, Jimmy DeGrasso, Michael Derosier, Düde Dürst, Joe English, Mick Fleetwood, Al Foster, Sonny Freeman, Josh Freese, Ringo Funk, Bruce Gary, Jean-Pierre Guichard, Beaver Harris, Zach Hill, Jon Hiseman, Ronald Howden, Joseph Jarman, George Johnson Jr., Russ Kunkel, Abe Laboriel Jr, Matt Laug, David Lauser, James Levi, Udo Lindenberg, Miguel Angel Lizandra, Dave Lombardo, Nick Mason, Flavio Mezzodi, Angel Montesinos, Heinz Niemeyer, Mani Neumeier, Ian Paice, Carl Palmer, Andy Parker, Prairie Prince, Herman Rarebell, Bobby Rondinelli, Allen Shellenberger, Peter Schmidlin, Michael Shrieve, Mikko Siren, Chris Slade, Claudio Slon, Chad Smith, David Teegarden, Woody "Sonship" Theus, Chester Thompson, Paul Thompson, Brian Tichy, Franklin Vanderbilt, Alex Van Halen, Edward Vesala, John Ward