Difference between revisions of "Paiste Dimensions 22" Power China"
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'''Group:''' [[Paiste Cymbal Type#Chinas (and Swishes)|Chinas (& Swishes)]]<br> | '''Group:''' [[Paiste Cymbal Type#Chinas (and Swishes)|Chinas (& Swishes)]]<br> | ||
'''Type:''' [[Paiste Power China|Power China]]<br> | '''Type:''' [[Paiste Power China|Power China]]<br> | ||
'''Size:''' 22 Inch<br> | '''Size:''' 22 Inch<br> | ||
'''Series:''' [[Paiste Dimensions#Dimensions|Dimensions]]<br> | '''Series:''' [[Paiste Dimensions#Dimensions|Dimensions]]<br> | ||
| − | '''Weight:''' | + | '''Weight:''' 2620g<br> |
'''Years of production:''' [[Paiste 2001 Expansion#Dimensions|2001]] - 2005<br> | '''Years of production:''' [[Paiste 2001 Expansion#Dimensions|2001]] - 2005<br> | ||
'''Sound file:''' unknown<br> | '''Sound file:''' unknown<br> | ||
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'''Review:''' A nice big China, with a powerful "chish" sound. Honestly, I expected this cymbal to be very "thick", meaning that I thought it would be difficult to open up (it opens up fairly easily for a heavy pie), it has a medium decay,and although it is loud, is not OVERBEARING like I had imagined. Sounds full when rode too.<br> | '''Review:''' A nice big China, with a powerful "chish" sound. Honestly, I expected this cymbal to be very "thick", meaning that I thought it would be difficult to open up (it opens up fairly easily for a heavy pie), it has a medium decay,and although it is loud, is not OVERBEARING like I had imagined. Sounds full when rode too.<br> | ||
Review written by Stranjluv101<br> | Review written by Stranjluv101<br> | ||
| − | '''Review:''' This china introduced me to the concept of a china cymbal being more than just a flash of white noise that sears the top of your head off and scrapes your brains out before returning in a microsecond to silence. This china introduced me to the concepts of texture, darkness and bite. This china finally made me realise what all those jazzers have been on about for years with their crazy ideas of ‘riding’ a china.<br>Prior to this cymbal entering my arsenal the china spot was well out the way on my kit and used in a very generic fashion. This statement makes me slightly ashamed, to tell the truth.<br>When I got my hands on this I was expecting a slightly darker version of the above but still a one trick pony.<br>How wrong I was. I use this cymbal as a gong, a crash, a ride and, every now and then, as a china. Along with my 2002 Crush Ride this is the most versatile cymbal on my kit. It’s soft enough to sound like rain falling on a sensitive | + | '''Review:''' This china introduced me to the concept of a china cymbal being more than just a flash of white noise that sears the top of your head off and scrapes your brains out before returning in a microsecond to silence. This china introduced me to the concepts of texture, darkness and bite. This china finally made me realise what all those jazzers have been on about for years with their crazy ideas of ‘riding’ a china.<br>Prior to this cymbal entering my arsenal the china spot was well out the way on my kit and used in a very generic fashion. This statement makes me slightly ashamed, to tell the truth.<br>When I got my hands on this I was expecting a slightly darker version of the above but still a one trick pony.<br>How wrong I was. I use this cymbal as a gong, a crash, a ride and, every now and then, as a china. Along with my 2002 Crush Ride this is the most versatile cymbal on my kit. It’s soft enough to sound like rain falling on a sensitive song when ridden softly. Ridden hard and you get a beautiful “tah” sound emerging from it. A cymbal roll gives you gong like overtones with slight raw inflections. Strike it with the shoulder of the stick and you get a massive wave of Oriental darkness swamp the kit and then fade off, sounding somewhere between a large, warm crash and a darkly textured china.<br>And just look at the thing! The hammering alone would make me desire this cymbal!<br> |
Review written by Stuffed Chimp<br> | Review written by Stuffed Chimp<br> | ||
'''Artist/song where it can be heard:''' unknown | '''Artist/song where it can be heard:''' unknown | ||
Revision as of 20:04, 29 September 2021
Group: Chinas (& Swishes)
Type: Power China
Size: 22 Inch
Series: Dimensions
Weight: 2620g
Years of production: 2001 - 2005
Sound file: unknown
Paiste's Description: <<< - >>>
Review: "The 22" model retains the brightness of the 20", but adds dark overtones as well. This cymbal produces a wide tonal palette and could the place of a small gong."
Review written by Rick Long ("New Paiste Dimensions Models-More Of A Good Thing", Modern Drummer, December 2001, pg. 59)
Review: A nice big China, with a powerful "chish" sound. Honestly, I expected this cymbal to be very "thick", meaning that I thought it would be difficult to open up (it opens up fairly easily for a heavy pie), it has a medium decay,and although it is loud, is not OVERBEARING like I had imagined. Sounds full when rode too.
Review written by Stranjluv101
Review: This china introduced me to the concept of a china cymbal being more than just a flash of white noise that sears the top of your head off and scrapes your brains out before returning in a microsecond to silence. This china introduced me to the concepts of texture, darkness and bite. This china finally made me realise what all those jazzers have been on about for years with their crazy ideas of ‘riding’ a china.
Prior to this cymbal entering my arsenal the china spot was well out the way on my kit and used in a very generic fashion. This statement makes me slightly ashamed, to tell the truth.
When I got my hands on this I was expecting a slightly darker version of the above but still a one trick pony.
How wrong I was. I use this cymbal as a gong, a crash, a ride and, every now and then, as a china. Along with my 2002 Crush Ride this is the most versatile cymbal on my kit. It’s soft enough to sound like rain falling on a sensitive song when ridden softly. Ridden hard and you get a beautiful “tah” sound emerging from it. A cymbal roll gives you gong like overtones with slight raw inflections. Strike it with the shoulder of the stick and you get a massive wave of Oriental darkness swamp the kit and then fade off, sounding somewhere between a large, warm crash and a darkly textured china.
And just look at the thing! The hammering alone would make me desire this cymbal!
Review written by Stuffed Chimp
Artist/song where it can be heard: unknown
