Difference between revisions of "Meinl Byzance Brilliant 13" Fast Hihat"
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::Top: 1064g / Bottom: 1280g<br> | ::Top: 1064g / Bottom: 1280g<br> | ||
'''Years of production:''' 2005 - Present<br> | '''Years of production:''' 2005 - Present<br> | ||
| − | '''Sound file:''' [https://youtu.be/DwUqqB_QsuQ?si=Wxo6CNrK4Ljmvj-G Byzance 13" Fast Hihat]<br> | + | '''Sound file:''' [https://youtu.be/DwUqqB_QsuQ?si=Wxo6CNrK4Ljmvj-G Byzance Brilliant 13" Fast Hihat]<br> |
| − | [https://youtu.be/Rlpimuu015I?si=orQM_8tlm69RA77d Byzance 13" Fast Hihat]<br> | + | [https://youtu.be/Rlpimuu015I?si=orQM_8tlm69RA77d Byzance Brilliant 13" Fast Hihat]<br> |
| − | [https://youtu.be/-YsYXFUdyYc?si=OtoNz6v_yZW7cDvq Byzance 13" Fast Hihat]<br> | + | [https://youtu.be/-YsYXFUdyYc?si=OtoNz6v_yZW7cDvq Byzance Brilliant 13" Fast Hihat]<br> |
| − | [https://youtu.be/nTqPObbvJYA?si=x0-Ix5yJYRqD_Ry4 Byzance 13" Fast Hihat]<br> | + | [https://youtu.be/nTqPObbvJYA?si=x0-Ix5yJYRqD_Ry4 Byzance Brilliant 13" Fast Hihat]<br> |
| − | [https://youtu.be/eFYrhirb3XM?si=YjiZGXrGn7f2Jb9K Byzance 13" Fast Hihat]<br> | + | [https://youtu.be/eFYrhirb3XM?si=YjiZGXrGn7f2Jb9K Byzance Brilliant 13" Fast Hihat]<br> |
| − | [https://youtu.be/9SVoRiVlaCs?si=WGWi4M6bT6j4gMN9 Byzance 13" Fast Hihat]<br> | + | [https://youtu.be/9SVoRiVlaCs?si=WGWi4M6bT6j4gMN9 Byzance Brilliant 13" Fast Hihat]<br> |
| − | [https://youtu.be/OuYTaE4s68Q?si=2IhmRPwhfvNY8Pyh Byzance 13" Fast Hihat]<br> | + | [https://youtu.be/OuYTaE4s68Q?si=2IhmRPwhfvNY8Pyh Byzance Brilliant 13" Fast Hihat]<br> |
'''Meinl's Description:''' [[Meinl Fast Hihat#Byzance Brilliant|<<< - >>>]]<br> | '''Meinl's Description:''' [[Meinl Fast Hihat#Byzance Brilliant|<<< - >>>]]<br> | ||
'''Review:''' "The 13" pair had all the characteristics of the 14"s, but with a higher voice. Everything else - the wash, the stick response, the cutting power - was the same. The real fun started when I set up <i>both</i> sets on two hi-hat pedals, and played 16ths and triplets between my hands and feet. I was able to play at various speeds, and the cymbals projected every nuance I put into them. It was very satisfying, and I began to understand why Thomas Lang likes to use multiple hi-hat stands and work between them. I've always thought that each foot and hand can be utilized individually to create a musical statement. Although I think Thomas's stellar position is safe despite my best efforts, it was good to hear the sound coming out of the hi-hats that I put into them."<br> | '''Review:''' "The 13" pair had all the characteristics of the 14"s, but with a higher voice. Everything else - the wash, the stick response, the cutting power - was the same. The real fun started when I set up <i>both</i> sets on two hi-hat pedals, and played 16ths and triplets between my hands and feet. I was able to play at various speeds, and the cymbals projected every nuance I put into them. It was very satisfying, and I began to understand why Thomas Lang likes to use multiple hi-hat stands and work between them. I've always thought that each foot and hand can be utilized individually to create a musical statement. Although I think Thomas's stellar position is safe despite my best efforts, it was good to hear the sound coming out of the hi-hats that I put into them."<br> | ||
Revision as of 10:27, 3 October 2024
Group: Hi-Hats
Type: Fast Hihat
Size: 13 Inch
Series: Byzance Brilliant
Weight: Top: 1026g / Bottom: 1320g
- Top: 1046g / Bottom: 1209g
- Top: 1064g / Bottom: 1280g
- Top: 1046g / Bottom: 1209g
Years of production: 2005 - Present
Sound file: Byzance Brilliant 13" Fast Hihat
Byzance Brilliant 13" Fast Hihat
Byzance Brilliant 13" Fast Hihat
Byzance Brilliant 13" Fast Hihat
Byzance Brilliant 13" Fast Hihat
Byzance Brilliant 13" Fast Hihat
Byzance Brilliant 13" Fast Hihat
Meinl's Description: <<< - >>>
Review: "The 13" pair had all the characteristics of the 14"s, but with a higher voice. Everything else - the wash, the stick response, the cutting power - was the same. The real fun started when I set up both sets on two hi-hat pedals, and played 16ths and triplets between my hands and feet. I was able to play at various speeds, and the cymbals projected every nuance I put into them. It was very satisfying, and I began to understand why Thomas Lang likes to use multiple hi-hat stands and work between them. I've always thought that each foot and hand can be utilized individually to create a musical statement. Although I think Thomas's stellar position is safe despite my best efforts, it was good to hear the sound coming out of the hi-hats that I put into them."
Review written by Chap Ostrander ("Product Close-Up - Meinl Byzance Fast Hats - from Thomas to You", Modern Drummer, August 2005, p.39)
Artist/song where it can be heard: unknown
