Difference between revisions of "Istanbul Agop Mel Lewis 1982 13" Hihat"
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'''Zildjian's Description:''' [[Istanbul Agop Crash Ride#Mel Lewis Signature|<<< - >>>]]<br> | '''Zildjian's Description:''' [[Istanbul Agop Crash Ride#Mel Lewis Signature|<<< - >>>]]<br> | ||
'''Review:''' "The Mel Lewis 1982 13" hi-hats were bright and capable of holding their own within a musical context. While I generally don’t like the light wash that smaller hats produce, these cymbals produced a quick, penetrating sizzle. Their “chick” sound was clean and loud, clearly stating the time for the entire band. Even under the “woosh” of the Lewis ride, it cut through.<br> | '''Review:''' "The Mel Lewis 1982 13" hi-hats were bright and capable of holding their own within a musical context. While I generally don’t like the light wash that smaller hats produce, these cymbals produced a quick, penetrating sizzle. Their “chick” sound was clean and loud, clearly stating the time for the entire band. Even under the “woosh” of the Lewis ride, it cut through.<br> | ||
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At one point I played the hi-hat alone in a practice session. A taut, quick response and a crisp “tsst” sound emanated when the hats were open and shut. I played single strokes and built up to doubles. I loosened up the hats, letting out some steam. In so doing, I discovered a monster tone that was containable but still capable of generating lots of power. That sound convinced me that these hats would be great not only for jazz, but also for funk and hip-hop."<br> | At one point I played the hi-hat alone in a practice session. A taut, quick response and a crisp “tsst” sound emanated when the hats were open and shut. I played single strokes and built up to doubles. I loosened up the hats, letting out some steam. In so doing, I discovered a monster tone that was containable but still capable of generating lots of power. That sound convinced me that these hats would be great not only for jazz, but also for funk and hip-hop."<br> | ||
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Review written by Will Romano ("Istanbul Agop Mel Lewis 1982 Cymbals And Alchemy Custom Hi-Hats - Distinct Voices For Jazz And Rock", Modern Drummer, April 2002, page 43)<br> | Review written by Will Romano ("Istanbul Agop Mel Lewis 1982 Cymbals And Alchemy Custom Hi-Hats - Distinct Voices For Jazz And Rock", Modern Drummer, April 2002, page 43)<br> | ||
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'''Artist/song where it can be heard:''' | '''Artist/song where it can be heard:''' | ||
Revision as of 10:07, 20 August 2024
Group: Hihats
Type: Hihat
Size: 13 Inch
Series: Mel Lewis Signature
Weight: Top: 708g / Bottom: 856g
- Top: 728g / Bottom: 898g
- Top: 733g / Bottom: 856g
- Top: 734g / Bottom: 838g
- Top: 734g / Bottom: 846g
- Top: 744g / Bottom: 865g
- Top: 750g / Bottom: 855g
- Top: 754g / Bottom: 847g
- Top: 755g / Bottom: 855g
- Top: 759g / Bottom: 855g
- Top: 800g / Bottom: 890g
- Top: 728g / Bottom: 898g
Years of production: 2002 - Present
Sound file: Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Mel Lewis 1982 13" Hihat
Zildjian's Description: <<< - >>>
Review: "The Mel Lewis 1982 13" hi-hats were bright and capable of holding their own within a musical context. While I generally don’t like the light wash that smaller hats produce, these cymbals produced a quick, penetrating sizzle. Their “chick” sound was clean and loud, clearly stating the time for the entire band. Even under the “woosh” of the Lewis ride, it cut through.
At one point I played the hi-hat alone in a practice session. A taut, quick response and a crisp “tsst” sound emanated when the hats were open and shut. I played single strokes and built up to doubles. I loosened up the hats, letting out some steam. In so doing, I discovered a monster tone that was containable but still capable of generating lots of power. That sound convinced me that these hats would be great not only for jazz, but also for funk and hip-hop."
Review written by Will Romano ("Istanbul Agop Mel Lewis 1982 Cymbals And Alchemy Custom Hi-Hats - Distinct Voices For Jazz And Rock", Modern Drummer, April 2002, page 43)
Artist/song where it can be heard:
