Difference between revisions of "A Zildjian 15" Sweet Hat"
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[[File:A 15 Sweet Hat 3.jpg|thumb|right|450px|]] | [[File:A 15 Sweet Hat 3.jpg|thumb|right|450px|]] | ||
'''Group:''' [[Zildjian Types and Models#Hi-Hats|Hi-Hats]]<br> | '''Group:''' [[Zildjian Types and Models#Hi-Hats|Hi-Hats]]<br> | ||
| − | '''Type:''' [[Zildjian Sweet Hat|Sweet Hat]]<br> | + | '''Type:''' [[Zildjian Sweet Hi-Hat|Sweet Hat]]<br> |
'''Size:''' 15 Inch<br> | '''Size:''' 15 Inch<br> | ||
'''Series:''' [[A Zildjian#A Zildjian|A Zildjian]]<br> | '''Series:''' [[A Zildjian#A Zildjian|A Zildjian]]<br> | ||
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'''Sound file:''' [https://youtu.be/GTeV1Kzo5f4?si=CpDBs-mWfxgI2xMK A Zildjian 15" Sweet Hat]<br> | '''Sound file:''' [https://youtu.be/GTeV1Kzo5f4?si=CpDBs-mWfxgI2xMK A Zildjian 15" Sweet Hat]<br> | ||
[https://youtu.be/V4MXIuf2RM4?si=zzhkHW_Ju3imxqyF A Zildjian 15" Sweet Hat]<br> | [https://youtu.be/V4MXIuf2RM4?si=zzhkHW_Ju3imxqyF A Zildjian 15" Sweet Hat]<br> | ||
| − | '''Zildjian's Description:''' [[Zildjian Sweet Hat#A Zildjian|<<< - >>>]]<br> | + | '''Zildjian's Description:''' [[Zildjian Sweet Hi-Hat#A Zildjian|<<< - >>>]]<br> |
'''Review:''' "How sweet they are! These hats are also designed by Armand Zildjian. His goal was to create hi-hats that were lighter in weight than most contemporary models and that had that "old washy sound." It took a special hammering and lathing process applied to fairly lightweight 15" cymbals to make it all happen. The size allows the pair to generate maximum contact so that they have a great "wash" sound. <br> | '''Review:''' "How sweet they are! These hats are also designed by Armand Zildjian. His goal was to create hi-hats that were lighter in weight than most contemporary models and that had that "old washy sound." It took a special hammering and lathing process applied to fairly lightweight 15" cymbals to make it all happen. The size allows the pair to generate maximum contact so that they have a great "wash" sound. <br> | ||
Whether I played them loose or tight, the Sweet Hats sounded great. I got lots of interaction when I played them slightly open. When I opened and closed them in a jazz setting, they produced an almost nostalgic big band/small group feel. At the same time, I also heard the sound of music recorded in the 1960s, when there weren't so many esoteric choices in cymbal models. I thoroughly enjoyed playing the Sweet Hats—maybe because my playing dates back to the '60s. Well, the late '60s, anyway."<br> | Whether I played them loose or tight, the Sweet Hats sounded great. I got lots of interaction when I played them slightly open. When I opened and closed them in a jazz setting, they produced an almost nostalgic big band/small group feel. At the same time, I also heard the sound of music recorded in the 1960s, when there weren't so many esoteric choices in cymbal models. I thoroughly enjoyed playing the Sweet Hats—maybe because my playing dates back to the '60s. Well, the late '60s, anyway."<br> | ||
Review written by Chap Ostrander ("Product Close-Up - New Zildjian Cymbals", Modern Drummer, February 2001, p. 51)<br> | Review written by Chap Ostrander ("Product Close-Up - New Zildjian Cymbals", Modern Drummer, February 2001, p. 51)<br> | ||
''' Artist/song where it can be heard:''' | ''' Artist/song where it can be heard:''' | ||
Revision as of 14:20, 18 July 2024
Group: Hi-Hats
Type: Sweet Hat
Size: 15 Inch
Series: A Zildjian
Weight: Top: 891g / Bottom: 1120g
- Top: 918g / Bottom: 1124g
- Top: 950g / Bottom: 1145g
- Top: 918g / Bottom: 1124g
Years of production: 2000 - ?
Sound file: A Zildjian 15" Sweet Hat
A Zildjian 15" Sweet Hat
Zildjian's Description: <<< - >>>
Review: "How sweet they are! These hats are also designed by Armand Zildjian. His goal was to create hi-hats that were lighter in weight than most contemporary models and that had that "old washy sound." It took a special hammering and lathing process applied to fairly lightweight 15" cymbals to make it all happen. The size allows the pair to generate maximum contact so that they have a great "wash" sound.
Whether I played them loose or tight, the Sweet Hats sounded great. I got lots of interaction when I played them slightly open. When I opened and closed them in a jazz setting, they produced an almost nostalgic big band/small group feel. At the same time, I also heard the sound of music recorded in the 1960s, when there weren't so many esoteric choices in cymbal models. I thoroughly enjoyed playing the Sweet Hats—maybe because my playing dates back to the '60s. Well, the late '60s, anyway."
Review written by Chap Ostrander ("Product Close-Up - New Zildjian Cymbals", Modern Drummer, February 2001, p. 51)
Artist/song where it can be heard:
