Difference between revisions of "Paiste Sound Creation 22" Dark China"
m |
m |
||
| (40 intermediate revisions by 3 users not shown) | |||
| Line 1: | Line 1: | ||
__NOEDITSECTION__ | __NOEDITSECTION__ | ||
<div style="float:right">__TOC__</div> | <div style="float:right">__TOC__</div> | ||
| + | [[File:SC 22 dark chine 2.jpg|thumb|right|450px|Sound Creation 22" Dark China Top, old Logo]] | ||
| + | [[File:SC 22 Dark China 1.jpg|thumb|right|450px|Sound Creation 22" Dark China Top, 1981 Logo]] | ||
| + | [[File:P_22_SCDCH_L.jpeg|thumb|right|450px|Sound Creation 22" Dark China Logo]] | ||
| + | [[File:Sc 22 Dark China 2.jpg|thumb|right|450px|Sound Creation 22" Dark China Bottom]] | ||
'''Group:''' [[Paiste Cymbal Type#Chinas (and Swishes)|Chinas (& Swishes)]]<br> | '''Group:''' [[Paiste Cymbal Type#Chinas (and Swishes)|Chinas (& Swishes)]]<br> | ||
'''Type:''' [[Paiste Dark China|Dark China]]<br> | '''Type:''' [[Paiste Dark China|Dark China]]<br> | ||
'''Size:''' 22 Inch<br> | '''Size:''' 22 Inch<br> | ||
'''Series:''' [[Paiste Sound Creation#Sound Creation|Sound Creation]]<br> | '''Series:''' [[Paiste Sound Creation#Sound Creation|Sound Creation]]<br> | ||
| − | '''Weight:''' 2374g, | + | '''Weight:''' 2343g (1980 Serial Number), 2366g (1978 Serial Number), 2370g (1980 Serial Number), 2374g, 2401g (1980 Serial Number), 2402g (1979 Serial Number), 2412g (6 rivet holes), 2418g (1982 Serial Number), 2456g (1981 Serial Number), 2516g (1980 Serial Number)<br> |
| − | '''Years of production:''' | + | '''Median Weight:''' 2402g (n=10)<br> |
| − | '''Sound file:''' | + | '''Years of production:''' 1978 - 1984<br> |
| + | '''Sound file:''' [https://youtu.be/xAfNfCyjSZM?t=63 22" Dark China]<br> | ||
| + | [https://youtu.be/jfVQvpPirjA?si=NInEfB4ak-PQs1H0 Sound Creation 22" Dark China]<br> | ||
'''Paiste's Description:''' [[Paiste Dark China#Sound Creation|<<< - >>>]]<br> | '''Paiste's Description:''' [[Paiste Dark China#Sound Creation|<<< - >>>]]<br> | ||
| − | '''Review:''' The sounds are low to mid frequencies predominantly with well balanced harmonics. Played softly, the cymbal is beckoning, mysterious and warm, simultaneously. Played forcefully, it is commanding but still blends amazingly well. Played louder widens the frequency range, kinda cool. It could be used for a slow, dirty, guitar group shuffle or artistically supporting an alto solo. It could be thrashed on, I suppose, in a severely amplified metal situation. The decay is short with no unpleasant lingering over or under tones. My favorite place to play it is in the curve of the upturned edge. The cymbal is usable and highly responsive, so if you know how to control your own playing, this cymbal will give you an endless palette of colors to work with. The sustain comes more from the reverberation caused by the shape rather than the mass sustaining the vibration, if you know what I'm saying.<br> | + | '''Review:''' The sounds are low to mid frequencies predominantly with well balanced harmonics. Played softly, the cymbal is beckoning, mysterious and warm, |
| − | Review by: Brett<br> | + | simultaneously. Played forcefully, it is commanding but still blends amazingly well. Played louder widens the frequency range, kinda cool. It could be used for a slow, dirty, guitar group shuffle or artistically supporting an alto solo. It could be thrashed on, I suppose, in a severely amplified metal situation. The decay is short with no unpleasant lingering over or under tones. My favorite place to play it is in the curve of the upturned edge. The cymbal is usable and highly responsive, so if you know how to control your own playing, this cymbal will give you an endless palette of colors to work with. The sustain comes more from the reverberation caused by the shape rather than the mass sustaining the vibration, if you know what I'm saying.<br> |
| − | '''Artist/song where it can be heard:''' [[Paiste Alex Acuña#Alex Acuña|Alex Acuña]], [[Paiste | + | :Review by: Brett<br> |
| + | '''Artist/song where it can be heard:''' [[Paiste Alex Acuña#Alex Acuña|Alex Acuña]], [[Paiste Erich Bachträgl#Erich Bachträgl|Erich Bachträgl]], [[Paiste Charles Benarroch#Charles Benarroch|Charles Benarroch]], [[Paiste Klaus Dieter Blahak#Klaus Dieter Blahak|Klaus Dieter Blahak]], [[Paiste Pierre Courbois#Pierre Courbois|Pierre Courbois]], [[Jack DeJohnette#Paiste|Jack De Johnette]], [[Paiste Joe English#Joe English|Joe English]], [[Paiste Pierre Favre#Pierre Favre|Pierre Favre]], [[Al Foster#Paiste|Al Foster]], [[Paiste Joe Gallivan#Joe Gallivan|Joe Gallivan]], [[Paiste Bruce Gary#Bruce Gary|Bruce Gary]], [[Paiste Horacio Jorge Gianello#Horacio Jorge Gianello|Horacio Jorge Gianello]], [[Paiste Larry Hancock#Larry Hancock|Larry Hancock]], [[Cosimo Lampis]], [[Heinz Lieb]], [[Paul Lytton]], [[Paiste Nicko McBrain#Nicko McBrain|Nicko McBrain]], [[Heinz von Moisy]], [[Paiste Alex Riel#Alex Riel|Alex Riel]], [[John Shearer]], [[Chris Slade]], [[Tony "Thunder" Smith]], [[Ron Steen]], [[Paiste Fredy Studer#Fredy Studer|Fredy Studer]], [[Chester Thompson#Paiste|Chester Thompson]], [[Paiste Chad Wackerman#Chad Wackerman|Chad Wackerman]], [[Hans Waterman]] | ||
Latest revision as of 01:14, 23 December 2025
Group: Chinas (& Swishes)
Type: Dark China
Size: 22 Inch
Series: Sound Creation
Weight: 2343g (1980 Serial Number), 2366g (1978 Serial Number), 2370g (1980 Serial Number), 2374g, 2401g (1980 Serial Number), 2402g (1979 Serial Number), 2412g (6 rivet holes), 2418g (1982 Serial Number), 2456g (1981 Serial Number), 2516g (1980 Serial Number)
Median Weight: 2402g (n=10)
Years of production: 1978 - 1984
Sound file: 22" Dark China
Sound Creation 22" Dark China
Paiste's Description: <<< - >>>
Review: The sounds are low to mid frequencies predominantly with well balanced harmonics. Played softly, the cymbal is beckoning, mysterious and warm,
simultaneously. Played forcefully, it is commanding but still blends amazingly well. Played louder widens the frequency range, kinda cool. It could be used for a slow, dirty, guitar group shuffle or artistically supporting an alto solo. It could be thrashed on, I suppose, in a severely amplified metal situation. The decay is short with no unpleasant lingering over or under tones. My favorite place to play it is in the curve of the upturned edge. The cymbal is usable and highly responsive, so if you know how to control your own playing, this cymbal will give you an endless palette of colors to work with. The sustain comes more from the reverberation caused by the shape rather than the mass sustaining the vibration, if you know what I'm saying.
- Review by: Brett
Artist/song where it can be heard: Alex Acuña, Erich Bachträgl, Charles Benarroch, Klaus Dieter Blahak, Pierre Courbois, Jack De Johnette, Joe English, Pierre Favre, Al Foster, Joe Gallivan, Bruce Gary, Horacio Jorge Gianello, Larry Hancock, Cosimo Lampis, Heinz Lieb, Paul Lytton, Nicko McBrain, Heinz von Moisy, Alex Riel, John Shearer, Chris Slade, Tony "Thunder" Smith, Ron Steen, Fredy Studer, Chester Thompson, Chad Wackerman, Hans Waterman
