Difference between revisions of "Zildjian Edge 18" Razor Crash"
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'''Type:''' [[Zildjian Razor Crash|Razor Crash]]<br> | '''Type:''' [[Zildjian Razor Crash|Razor Crash]]<br> | ||
'''Size:''' 18 Inch<br> | '''Size:''' 18 Inch<br> | ||
| − | '''Series:''' [[Zildjian Edge| | + | '''Series:''' [[Zildjian Edge|Edge]]<br> |
| − | '''Weight:''' | + | '''Weight:''' 1624g <br> |
'''Years of production:''' 1996 - 2001<br> | '''Years of production:''' 1996 - 2001<br> | ||
'''Sound File:''' unknown<br> | '''Sound File:''' unknown<br> | ||
'''Zildjian's Description:''' [[Zildjian Razor Crash#Edge|<<< - >>>]]<br> | '''Zildjian's Description:''' [[Zildjian Razor Crash#Edge|<<< - >>>]]<br> | ||
| − | '''Review:''' <br> | + | '''Review:''' "The 18" Razor Crash actually ended up with a higher pitch than the 16". Granted, when you're listening to a cymbal, you're not just getting one pure pitch; there's usually all sorts of wacky overtone stuff happening, and your ear can focus on the "wrong" tones. Some rooms accentuate certain tones, some bring out others. But alas, in our test room (and even from outside its closed door) a couple of different pairs of ears noticed the miss-matched pitches. Stranger still is that Edge cymbals are sheet-cut, rather than cast, supposedly guaranteeing "total consistency." <br> |
| − | Review written by <br> | + | |
| + | :Review written by Adam Budofsky ("Product Close-Up - New Zildjian Cymbals", Modern Drummer, August 1996, p. 44)<br> | ||
''' Artist/song where it can be heard:''' | ''' Artist/song where it can be heard:''' | ||
Latest revision as of 01:25, 10 December 2025
Group: Crashes
Type: Razor Crash
Size: 18 Inch
Series: Edge
Weight: 1624g
Years of production: 1996 - 2001
Sound File: unknown
Zildjian's Description: <<< - >>>
Review: "The 18" Razor Crash actually ended up with a higher pitch than the 16". Granted, when you're listening to a cymbal, you're not just getting one pure pitch; there's usually all sorts of wacky overtone stuff happening, and your ear can focus on the "wrong" tones. Some rooms accentuate certain tones, some bring out others. But alas, in our test room (and even from outside its closed door) a couple of different pairs of ears noticed the miss-matched pitches. Stranger still is that Edge cymbals are sheet-cut, rather than cast, supposedly guaranteeing "total consistency."
- Review written by Adam Budofsky ("Product Close-Up - New Zildjian Cymbals", Modern Drummer, August 1996, p. 44)
Artist/song where it can be heard:
