Difference between revisions of "Sabian Vault 20" Crash"
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| + | [[File:Sabian Vault 20" Crash 1.jpg|thumb|right|450px]] | ||
| + | [[File:Sabian Vault 20" Crash 2.jpg|thumb|right|450px]] | ||
| + | [[File:Sabian Vault 20" Crash 3.jpg|thumb|right|450px]] | ||
'''Group:''' [[Sabian Types and Models#Crashes|Crashes]]<br> | '''Group:''' [[Sabian Types and Models#Crashes|Crashes]]<br> | ||
'''Type:''' [[Sabian_Crash|Crash]]<br> | '''Type:''' [[Sabian_Crash|Crash]]<br> | ||
'''Size:''' 20 Inch<br> | '''Size:''' 20 Inch<br> | ||
'''Series:''' [[Sabian Vault|Vault]]<br> | '''Series:''' [[Sabian Vault|Vault]]<br> | ||
| − | '''Weight:''' 1923g<br> | + | '''Weight:''' 1860g, 1923g<br> |
'''Years of production:''' 2005 - ?<br> | '''Years of production:''' 2005 - ?<br> | ||
'''Sound File:''' [https://youtu.be/dTG4k9mCURo?si=SpItN1s4RA7Bjix2_BX9h0 Vault 20" Crash]<br> | '''Sound File:''' [https://youtu.be/dTG4k9mCURo?si=SpItN1s4RA7Bjix2_BX9h0 Vault 20" Crash]<br> | ||
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In terms of sheer volume, this puppy is <i>loud</i>. Again, the observation I made earlier held true: This cymbal's volume potential seemed to have no upper limit. The harder I hit it, the louder it got."<br> | In terms of sheer volume, this puppy is <i>loud</i>. Again, the observation I made earlier held true: This cymbal's volume potential seemed to have no upper limit. The harder I hit it, the louder it got."<br> | ||
| − | Review written by Paul Bielewicz ("Product Close-Up - Sabian Vault Crash Cymbals"), Modern Drummer, June 2005, p.33)<br> | + | :Review written by Paul Bielewicz ("Product Close-Up - Sabian Vault Crash Cymbals"), Modern Drummer, June 2005, p.33)<br> |
| − | '''Artist/song where it can be heard:''' | + | |
| + | '''Review:''' "There is a range of five crashes from 16" to 20", all in Brilliant finish, with fine lathing top and bottom. They bear the usual Sabian logo, plus the big 'V' for Vault logo. They are quite thin, with slightly enlarged bells for added volume. What generally happens with crashes is that you get a high-pitched initial 'tsshh' that quickly dies and is followed by a deeper after-tone. | ||
| + | |||
| + | With the Vault crashes, it's noticeable that the initial 'tsshh' is bright, smooth and silvery, with a rising pitch, but the after-tone is not as deep as usual. This makes the cymbals very clean and toppy, although luckily there's still plenty of body. The fine pin lathing increases the top end so that, although the cymbals are quite lightweight, they nevertheless have a pitch that's higher than usual. | ||
| + | |||
| + | They are very bright, shimmery and punchy, without being brash. They also have good sustain following the initial fast crash. And being thin, they respond well at low volumes, as well as high. So they are capable of being both sensitive and powerful. | ||
| + | |||
| + | There is good consistency across the range, so whichever size(s) you choose, you shouldn't be disappointed. We loved the 16", which is lightning fast and super clean, almost like a splash cymbal, while the 18" and 19" appealed because they are large without being too deep." | ||
| + | |||
| + | :Review written by The MusicRadar Team ("Sabian Vault Crash 22" review", [https://www.musicradar.com/reviews/drums/sabian-vault-crash-22-26708 musicradar.com], December 11, 2007) <br> | ||
| + | |||
| + | '''Artist/song where it can be heard:''' [[John Humphrey]] | ||
Latest revision as of 22:56, 23 October 2025
Group: Crashes
Type: Crash
Size: 20 Inch
Series: Vault
Weight: 1860g, 1923g
Years of production: 2005 - ?
Sound File: Vault 20" Crash
Vault 20" Crash
Sabian's Description: <<< - >>>
Review: "The 18", 19", and 20" Vault crashes each had a higher fundamental pitch than a traditional crash of a similar size would likely produce. but an interesting characteristic was present on all three. As I changed from simple stick articulation on the upper surface of each cymbal to a wash with a buildup of overtones, the pitch structure became more complex. Each of the larger cymbals had an "unexpected" fundamental pitch (the musical note one hears as the cymbal is played), but they also exhibited a lower pitch that was waiting just behind it, with increased volume. This lower note was the one that was sustained when stick action was discontinued. In addition, the bells were very defined, with a pleasant tone applicable for many situations.
Each of the larger Vault crashes held stick articulation quite well. Many traditional crashes get "muddy" under prolonged stick articulation on the upper portion of the cymbal. Not only do they stop building up volume (as mentioned earlier), but they also lose some of their musicality. The Vault crashes not only held their musicality under prolonged stick articulation, they also built up gradual overtones in the low fundamental mentioned previously.
The 20" model is definitely all crash. Stick articulation on the upper portion of the body is possible, but it's certainly not as dry as a ride. Additionally, overtones built up readily, as one would expect from a crash. Interestingly though, the bell on the 20" is comparable to one you might find on a standard ride: cutting with a pleasant tone.
In terms of sheer volume, this puppy is loud. Again, the observation I made earlier held true: This cymbal's volume potential seemed to have no upper limit. The harder I hit it, the louder it got."
- Review written by Paul Bielewicz ("Product Close-Up - Sabian Vault Crash Cymbals"), Modern Drummer, June 2005, p.33)
Review: "There is a range of five crashes from 16" to 20", all in Brilliant finish, with fine lathing top and bottom. They bear the usual Sabian logo, plus the big 'V' for Vault logo. They are quite thin, with slightly enlarged bells for added volume. What generally happens with crashes is that you get a high-pitched initial 'tsshh' that quickly dies and is followed by a deeper after-tone.
With the Vault crashes, it's noticeable that the initial 'tsshh' is bright, smooth and silvery, with a rising pitch, but the after-tone is not as deep as usual. This makes the cymbals very clean and toppy, although luckily there's still plenty of body. The fine pin lathing increases the top end so that, although the cymbals are quite lightweight, they nevertheless have a pitch that's higher than usual.
They are very bright, shimmery and punchy, without being brash. They also have good sustain following the initial fast crash. And being thin, they respond well at low volumes, as well as high. So they are capable of being both sensitive and powerful.
There is good consistency across the range, so whichever size(s) you choose, you shouldn't be disappointed. We loved the 16", which is lightning fast and super clean, almost like a splash cymbal, while the 18" and 19" appealed because they are large without being too deep."
- Review written by The MusicRadar Team ("Sabian Vault Crash 22" review", musicradar.com, December 11, 2007)
Artist/song where it can be heard: John Humphrey