Difference between revisions of "Paiste Noise Works 11/18" Dark Buzz China"
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'''Paiste's Description:''' [[Paiste Dark Buzz China#Noise Works|<<< - >>>]]<br> | '''Paiste's Description:''' [[Paiste Dark Buzz China#Noise Works|<<< - >>>]]<br> | ||
'''Review:''' "Paiste’s literature describes this as the “classic splash/China stack combination.” You mount the 11" inside the inverted 18", atop any cymbal stand.(Note: You may need to adjust the size of felt you use in order to accommodate two cymbals in a space designed for one.) <br> | '''Review:''' "Paiste’s literature describes this as the “classic splash/China stack combination.” You mount the 11" inside the inverted 18", atop any cymbal stand.(Note: You may need to adjust the size of felt you use in order to accommodate two cymbals in a space designed for one.) <br> | ||
| − | The Dark Buzz China was, in a word, fun. I left the wing nut loose and struck the outer lip of the China cymbal, allowing the smaller, “nesting” cymbal to rattle away—which it did for a good four seconds. Hitting the smaller cymbal gives an aggressive staccato attack with some serious body to back it up. Tightening the wing nut brings the metallic component in the mix to the fore. Mounting the stack “right side up” (that is, with the China cymbal hiding the smaller cymbal) provides a similar if somewhat more metallic sound.<br> | + | The Dark Buzz China was, in a word, fun. I left the wing nut loose and struck the outer lip of the China cymbal, allowing the smaller, “nesting” cymbal to rattle away—which it did for a good four seconds. Hitting the smaller cymbal gives an aggressive staccato attack with some serious body to back it up. Tightening the wing nut brings the metallic component in the mix to the fore. Mounting the stack “right side up” (that is, with the China cymbal hiding the smaller cymbal) provides a similar if somewhat more metallic sound.<br> The 11" cymbal and its mate each sound good in solo use. One is a fine dark splash; the other is a buttery China. I wouldn’t hesitate to use either in several musical styles other than electronic."<br> |
| − | The 11" cymbal and its mate each sound good in solo use. One is a fine dark splash; the other is a buttery China. I wouldn’t hesitate to use either in several musical styles other than electronic."<br> | + | :Review written by T. Bruce Wittet ("Paiste Noise Works Cymbals - From Trashy To Classy", Modern Drummer, November 2002, p. 46)<br> |
| − | Review written by T. Bruce | + | '''Artist/song where it can be heard:''' [[Paiste Danny Carey#Danny Carey|Danny Carey]] |
| − | '''Artist/song where it can be heard:''' | ||
Latest revision as of 20:13, 19 April 2025
Group: Cymbal Stacks
Type: Dark Buzz China
Size: 11/18 Inch
Series: Noise Works
Weight: ?g
Years of production: 2002 - 2009
Sound file: Noise Works 11/18" Dark Buzz China
Noise Works 11/18" Dark Buzz China (11" Only)
Paiste's Description: <<< - >>>
Review: "Paiste’s literature describes this as the “classic splash/China stack combination.” You mount the 11" inside the inverted 18", atop any cymbal stand.(Note: You may need to adjust the size of felt you use in order to accommodate two cymbals in a space designed for one.)
The Dark Buzz China was, in a word, fun. I left the wing nut loose and struck the outer lip of the China cymbal, allowing the smaller, “nesting” cymbal to rattle away—which it did for a good four seconds. Hitting the smaller cymbal gives an aggressive staccato attack with some serious body to back it up. Tightening the wing nut brings the metallic component in the mix to the fore. Mounting the stack “right side up” (that is, with the China cymbal hiding the smaller cymbal) provides a similar if somewhat more metallic sound.
The 11" cymbal and its mate each sound good in solo use. One is a fine dark splash; the other is a buttery China. I wouldn’t hesitate to use either in several musical styles other than electronic."
- Review written by T. Bruce Wittet ("Paiste Noise Works Cymbals - From Trashy To Classy", Modern Drummer, November 2002, p. 46)
Artist/song where it can be heard: Danny Carey
