Difference between revisions of "Sabian Gongs"
| Line 9: | Line 9: | ||
'''Applications:'''<br> | '''Applications:'''<br> | ||
'''Users:''' <br> | '''Users:''' <br> | ||
| − | '''Sound:''' Traditionally hammered for prized ”oriental” sound, produces a definite primary impact response followed by an outpouring of raw, dark overtones. Full sounding. | + | '''Sound:''' Traditionally hammered for prized ”oriental” sound, produces a definite primary impact response followed by an outpouring of raw, dark overtones. Full sounding.<font color=blue><sup>1</sup></font color=blue><br> |
*'''Chinese Gong - [[Sabian 30" Chinese Gong|30"]] [[Sabian 34" Chinese Gong|34"]] [[Sabian 40" Chinese Gong|40"]] | *'''Chinese Gong - [[Sabian 30" Chinese Gong|30"]] [[Sabian 34" Chinese Gong|34"]] [[Sabian 40" Chinese Gong|40"]] | ||
| Line 37: | Line 37: | ||
'''Applications:'''<br> | '''Applications:'''<br> | ||
'''Users:''' <br> | '''Users:''' <br> | ||
| − | '''Sound:''' Produces a powerful and sturdy fundamental note which is enhanced and softened by harmonic overtones, creating a full, warm and round response. Very tonal. | + | '''Sound:''' Produces a powerful and sturdy fundamental note which is enhanced and softened by harmonic overtones, creating a full, warm and round response. Very tonal.<font color=blue><sup>1</sup></font color=blue><br> |
*'''Symphonic Gong - [[Sabian 24" Symphonic Gong|24"]] [[Sabian 26" Symphonic Gong|26"]] [[Sabian 28" Symphonic Gong|28"]] | *'''Symphonic Gong - [[Sabian 24" Symphonic Gong|24"]] [[Sabian 26" Symphonic Gong|26"]] [[Sabian 28" Symphonic Gong|28"]] | ||
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'''Applications:'''<br> | '''Applications:'''<br> | ||
'''Users:''' <br> | '''Users:''' <br> | ||
| − | '''Sound:''' | + | '''Sound:''' <font color=blue><sup>2</sup></font color=blue> <br> |
*'''Wind Gong - [[Sabian 22" Wind Gong|22"]] | *'''Wind Gong - [[Sabian 22" Wind Gong|22"]] | ||
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'''Applications:'''<br> | '''Applications:'''<br> | ||
'''Users:''' <br> | '''Users:''' <br> | ||
| − | '''Sound:''' This model produces a warm, focused fundamental with rich, sustaining overtones. | + | '''Sound:''' This model produces a warm, focused fundamental with rich, sustaining overtones.<font color=blue><sup>1</sup></font color=blue><br> |
*'''Zodiac Gong - [[Sabian 22" Zodiac Gong|22"]] [[Sabian 24" Zodiac Gong|24"]] [[Sabian 26" Zodiac Gong|26"]] [[Sabian 28" Zodiac Gong|28"]] | *'''Zodiac Gong - [[Sabian 22" Zodiac Gong|22"]] [[Sabian 24" Zodiac Gong|24"]] [[Sabian 26" Zodiac Gong|26"]] [[Sabian 28" Zodiac Gong|28"]] | ||
| Line 83: | Line 83: | ||
------ | ------ | ||
Source:<br> | Source:<br> | ||
| − | + | <font color=blue><sup>1</sup></font color=blue> SABIAN.COM (retrieved November 10, 2024) | |
| − | + | <font color=blue><sup>2</sup></font color=blue> Sabian Cymbal and Sound Guide 2009 | |
Revision as of 01:23, 11 March 2025
Contents
Chinese Gongs
Introduction: ?
Background:
Innovation:
Alloy:
Quality: Professional
Production:
Applications:
Users:
Sound: Traditionally hammered for prized ”oriental” sound, produces a definite primary impact response followed by an outpouring of raw, dark overtones. Full sounding.1
Radia Gongs
Introduction: 1998
Background:
Innovation:
Alloy:
Quality: Professional
Production:
Applications:
Users:
Sound:
Symphonic Gongs
Introduction: ?
Background:
Innovation:
Alloy:
Quality: Professional
Production:
Applications:
Users:
Sound: Produces a powerful and sturdy fundamental note which is enhanced and softened by harmonic overtones, creating a full, warm and round response. Very tonal.1
Turkish Gongs
Introduction: ?
Background:
Innovation:
Alloy:
Quality: Professional
Production:
Applications:
Users:
Sound:
Wind Gongs
Introduction: ?
Background:
Innovation:
Alloy:
Quality: Professional
Production:
Applications:
Users:
Sound: 2
- Wind Gong - 22"
Zodiac Gongs
Introduction: ?
Background:
Innovation:
Alloy: Nickel Silver (NS12)
Quality: Professional
Production:
Applications:
Users:
Sound: This model produces a warm, focused fundamental with rich, sustaining overtones.1
Source:
1 SABIAN.COM (retrieved November 10, 2024)
2 Sabian Cymbal and Sound Guide 2009
