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	<id>http://www.cymbal.wiki/wiki/index.php?action=history&amp;feed=atom&amp;title=Orion_Strondo_18%22_Rock_Crash</id>
	<title>Orion Strondo 18&quot; Rock Crash - Revision history</title>
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	<updated>2026-04-14T23:43:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.cymbal.wiki/wiki/index.php?title=Orion_Strondo_18%22_Rock_Crash&amp;diff=47160&amp;oldid=prev</id>
		<title>Bluejacketsfan at 23:28, 11 August 2024</title>
		<link rel="alternate" type="text/html" href="http://www.cymbal.wiki/wiki/index.php?title=Orion_Strondo_18%22_Rock_Crash&amp;diff=47160&amp;oldid=prev"/>
		<updated>2024-08-11T23:28:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:28, 11 August 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The  one  thing  I  couldn’t  foresee  was  the  physical  effect  these cymbals  had  on  my  body.  The  first  time  I  played  the  Strondo crashes,  I  felt  a  sharp  stinging  sensation  shooting  through  my hands and arm. The cymbals were so responsive, I had to adjust my  playing  style  slightly  to  make  sure  I  was  hitting  the  cymbals on their “sweet and safe spots” to avoid that wonky feeling in my hands.  Despite  this,  I  enjoyed  using  the  cymbals  and  was  quite taken by their vibrancy.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The  one  thing  I  couldn’t  foresee  was  the  physical  effect  these cymbals  had  on  my  body.  The  first  time  I  played  the  Strondo crashes,  I  felt  a  sharp  stinging  sensation  shooting  through  my hands and arm. The cymbals were so responsive, I had to adjust my  playing  style  slightly  to  make  sure  I  was  hitting  the  cymbals on their “sweet and safe spots” to avoid that wonky feeling in my hands.  Despite  this,  I  enjoyed  using  the  cymbals  and  was  quite taken by their vibrancy.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The  17&amp;quot;  and  18&amp;quot;  sizes  were  surprisingly  different  in  texture. While the 17&amp;quot; boasted bright and cutting qualities (with a relatively quick decay), the 18&amp;quot; was noticeably dull and trashy. I had the feeling  that  there  were  multi-layered  firecracker  blasts  hidden under the surface, just dying to get out. But the sound was inexplicably masked by a rush of darker tones. They were so dark, in fact,  that  I  decided  at  one  point  to  use  the  18&amp;quot;  crash  as  a  China, offsetting the heavy ride’s loud “tick.”&amp;quot; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The  17&amp;quot;  and  18&amp;quot;  sizes  were  surprisingly  different  in  texture. While the 17&amp;quot; boasted bright and cutting qualities (with a relatively quick decay), the 18&amp;quot; was noticeably dull and trashy. I had the feeling  that  there  were  multi-layered  firecracker  blasts  hidden under the surface, just dying to get out. But the sound was inexplicably masked by a rush of darker tones. They were so dark, in fact,  that  I  decided  at  one  point  to  use  the  18&amp;quot;  crash  as  a  China, offsetting the heavy ride’s loud “tick.”&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In  one  test  session  I  set  up  all  three  crash  cymbals  straight across  the  front  of  my  kit,  and  played  them  as  an  “ensemble.”  I played dynamic fills, dividing beats between the snare, toms, and cymbals.  A  cutting,  near-lethal  wash  lingered  shortly,  but  then quickly  evaporated.  It  sounded  absolutely  amazing:  crisp  and loud, with lots of wetness. At one point I thought I was listening to recorded, processed drums. This prospect might turn off some readers, but it’s just one example of how professional these cymbals sounded when played.&lt;/ins&gt;&amp;quot; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review written by Will Romano (&amp;quot;Product Close-Up - Orion Strondo Series Cymbals - These Brazilian Beauties Speak In Many Tongues&amp;quot;, Modern Drummer, July 2006, p. 40)&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review written by Will Romano (&amp;quot;Product Close-Up - Orion Strondo Series Cymbals - These Brazilian Beauties Speak In Many Tongues&amp;quot;, Modern Drummer, July 2006, p. 40)&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''' Artist/song where it can be heard:'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''' Artist/song where it can be heard:'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bluejacketsfan</name></author>
		
	</entry>
	<entry>
		<id>http://www.cymbal.wiki/wiki/index.php?title=Orion_Strondo_18%22_Rock_Crash&amp;diff=47158&amp;oldid=prev</id>
		<title>Bluejacketsfan: Created page with &quot;__NOEDITSECTION__ &lt;div style=&quot;float:right&quot;&gt;__TOC__&lt;/div&gt; '''Group:''' Crashes&lt;br&gt; '''Type:''' Rock Crash&lt;br&gt; '''Size:''...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.cymbal.wiki/wiki/index.php?title=Orion_Strondo_18%22_Rock_Crash&amp;diff=47158&amp;oldid=prev"/>
		<updated>2024-08-11T23:25:10Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;__NOEDITSECTION__ &amp;lt;div style=&amp;quot;float:right&amp;quot;&amp;gt;__TOC__&amp;lt;/div&amp;gt; &amp;#039;&amp;#039;&amp;#039;Group:&amp;#039;&amp;#039;&amp;#039; &lt;a href=&quot;/wiki/index.php?title=Orion_Types_and_Models&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Orion Types and Models (page does not exist)&quot;&gt;Crashes&lt;/a&gt;&amp;lt;br&amp;gt; &amp;#039;&amp;#039;&amp;#039;Type:&amp;#039;&amp;#039;&amp;#039; &lt;a href=&quot;/wiki/index.php?title=Orion_Rock_Crash&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Orion Rock Crash (page does not exist)&quot;&gt;Rock Crash&lt;/a&gt;&amp;lt;br&amp;gt; &amp;#039;&amp;#039;&amp;#039;Size:&amp;#039;&amp;#039;...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;__NOEDITSECTION__&lt;br /&gt;
&amp;lt;div style=&amp;quot;float:right&amp;quot;&amp;gt;__TOC__&amp;lt;/div&amp;gt;&lt;br /&gt;
'''Group:''' [[Orion Types and Models#Crashes|Crashes]]&amp;lt;br&amp;gt;&lt;br /&gt;
'''Type:''' [[Orion Rock Crash|Rock Crash]]&amp;lt;br&amp;gt;&lt;br /&gt;
'''Size:''' 18 Inch&amp;lt;br&amp;gt;&lt;br /&gt;
'''Series:''' [[Orion Strondo|Strondo]]&amp;lt;br&amp;gt;&lt;br /&gt;
'''Weight:''' ?g &amp;lt;br&amp;gt;&lt;br /&gt;
'''Years of production:''' 2006 - ?&amp;lt;br&amp;gt;&lt;br /&gt;
'''Sound File:''' unknown &amp;lt;br&amp;gt;&lt;br /&gt;
'''Orion's Description:''' [[Orion Rock Crash#Strondo|&amp;lt;&amp;lt;&amp;lt; - &amp;gt;&amp;gt;&amp;gt;]]&amp;lt;br&amp;gt;&lt;br /&gt;
'''Review:''' &amp;quot;Our  review  batch  included  17&amp;quot;,  18&amp;quot;,  and  19&amp;quot;  Rock  crashes. Orion  states  that  these  cymbals  are  geared  to  heavy-hitting  rock drummers.  Accordingly,  I  suspected  that  they  would  be  clear, loud, and cutting. They were. Their properties were enhanced by what appeared to be sideswiped welts on the surface of the cymbals, put there to ensure brightness and sonic control. &lt;br /&gt;
&lt;br /&gt;
The  one  thing  I  couldn’t  foresee  was  the  physical  effect  these cymbals  had  on  my  body.  The  first  time  I  played  the  Strondo crashes,  I  felt  a  sharp  stinging  sensation  shooting  through  my hands and arm. The cymbals were so responsive, I had to adjust my  playing  style  slightly  to  make  sure  I  was  hitting  the  cymbals on their “sweet and safe spots” to avoid that wonky feeling in my hands.  Despite  this,  I  enjoyed  using  the  cymbals  and  was  quite taken by their vibrancy. &lt;br /&gt;
&lt;br /&gt;
The  17&amp;quot;  and  18&amp;quot;  sizes  were  surprisingly  different  in  texture. While the 17&amp;quot; boasted bright and cutting qualities (with a relatively quick decay), the 18&amp;quot; was noticeably dull and trashy. I had the feeling  that  there  were  multi-layered  firecracker  blasts  hidden under the surface, just dying to get out. But the sound was inexplicably masked by a rush of darker tones. They were so dark, in fact,  that  I  decided  at  one  point  to  use  the  18&amp;quot;  crash  as  a  China, offsetting the heavy ride’s loud “tick.”&amp;quot; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Review written by Will Romano (&amp;quot;Product Close-Up - Orion Strondo Series Cymbals - These Brazilian Beauties Speak In Many Tongues&amp;quot;, Modern Drummer, July 2006, p. 40)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''' Artist/song where it can be heard:'''&lt;/div&gt;</summary>
		<author><name>Bluejacketsfan</name></author>
		
	</entry>
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